Exhibits at BNA®
Flying Solo Late Summer – Fall 2026
“Regenerative Farming: Using Animals and Plants to Heal Our Land” (oil paintings)
Artist: Sarah Kaufman
Location: Level 3, Concourse A/B Exit and Concourse D, near Gate 2
Sarah Kaufman brings over 35 years of painting experience to a career centered on both artistic creation and teaching. Kaufman’s work centers on how light bounces and fractures through the architecture of a path in the forest. Her landscape paintings are impressionist interpretations of place, capturing light as it reflects off surfaces, illuminating color and defining form through shadow. She allows the underlying rhythms of color and structure to surface, offering a new observation and impression of the natural world.
Kaufman’s work is held in private and corporate collections around the world, and she has published two children’s books. She earned a Bachelor of Fine Arts in painting and a master’s degree in education. She lives in Nashville, Tennessee, with her husband, two children, two dogs and two guinea pigs.
About “Regenerative Farming: Using Animals and Plants to Heal Our Land”
Kaufman states, “For the past couple of years, I have been obsessed with regenerative agriculture. It mimics the grazing herds of bison that built our rich prairies and grasslands. The general idea is that if animals are grazed in dense groups, moved every day, and no pesticides or herbicides are used, the land will regain its fertility and heal.”
She continues, “First, the animals hit the dirt hard with their hooves and fertilizer, then the land is left to rest for around 90 days. During that time, the roots grow as deep as the plants grow high; the insects start to come back, then the birds, the worms and the microbes all return. Over time, carbon is pulled into the soil along with more water as the plants and microbes rebuild topsoil. The dormant seedbed germinates; long-lost prairie grasses regrow and enrich the pasture for the animals. Less hay needed, less chemical inputs, less irrigation and water runoff, and lower medication costs all mean more money for the farmer, a much better quality of life for the animals and better quality meat for the people. It’s an investment, but the rewards are profound: healing the land, healing the animals, and helping farmers stay profitable and independent. I have been so inspired by regenerative farmers who are the stewards of our beautiful land and animals. These paintings are a tribute to them and the wonderful work they do.”
Website: www.sarahkaufmanart.com
Instagram:@SarahKaufmanNashville
“A Modern Renaissance: Revival of Self” (photography)
Artist: Jenny Petite
Location: Concourse D, near Gate 3
Jenny Petite is a postmodern, post-structural artist who uses self-portrait photography to spark conversation, introspection and analysis. The gold frames surrounding her images echo the installations of the great masters, signaling a similar sense of scale and suggesting that an individual’s lived experience can hold historical significance.
Her offbeat humor, often threaded through her otherwise serious compositions, softens the intensity of the psychological themes. By pairing levity with complexity, she creates space for viewers to approach life’s challenges with openness and grace.
About “A Modern Renaissance: Revival of Self”
The Renaissance marked a profound revival of human consciousness, shifting cultural thought toward naturalism, individualism and the dignity of human experience. This exhibit calls for a contemporary renaissance; one that redirects our gaze inward rather than outward. It encourages a renewed appreciation of identity, urging viewers to recognize themselves and their loved ones as inherently worthy, extraordinary and sovereign. Inspired by the High and Low Renaissance, Flemish still-life painting and contemporary portraiture, this series ultimately asks viewers to reconsider where they place their reverence. Rather than seeking meaning in distant cultural icons, “A Modern Renaissance: Revival of Self” proposes that the greatest masterpiece is one’s own life, and that the most remarkable story in history is the one each person is living.
Website: www.jennypetitephotography.com
Instagram: @jennypetitephotography
“Venus of Suburbia: My Life is a Masterpiece” (photography)
Artist: Jenny Petite
Location: Concourse D, near Gate 5
Jenny Petite is a postmodern, post-structural artist who uses self-portrait photography to spark conversation, introspection and analysis. The gold frames surrounding her images echo the installations of the great masters, signaling a similar sense of scale and suggesting that an individual’s lived experience can hold historical significance.
Her offbeat humor, often threaded through her otherwise serious compositions, softens the intensity of the psychological themes. By pairing levity with complexity, she creates space for viewers to approach life’s challenges with openness and grace.
About “Venus of Suburbia: My Life is a Masterpiece”
“Venus of Suburbia: My Life is a Masterpiece” is an exploration of radical honesty and an examination of what it means to confront oneself both behind and in front of the camera. Through self-portraiture and contemporary reinterpretations of iconic masterpieces, this body of work transforms my personal experiences into a visual narrative of vulnerability, resilience, humor and self-acceptance.
The artist states, “These photos are centered around my life as a single mother and middle-aged woman. The imagery reflects on the complexities of femininity, individuality, motherhood, aging, sexuality, single life and the social expectations placed on women.”
Petite continues, “Rather than conceal the difficulties and contradictions of my experience, I embrace them as essential parts of my identity. These images examine the ongoing dialogue between past and present, internal conflict and acceptance and struggle and transformation. ‘Venus of Suburbia’ is ultimately an act of empathy: toward myself and all women navigating the complexities of their own lives. By finding laughter within hardship and beauty within imperfection, the work celebrates the idea that every life, with all its flaws and triumphs, is worthy of being recognized as a masterpiece.”
Website: www.jennypetitephotography.com
Instagram: @jennypetitephotography
Flying Solo – Gallery
Aug. 31, 2026 – Nov. 30, 2026
Public Art Descriptions
A Thread Without End
Artist: Ball-Nogues Studio
Media: Mirror-polished stainless steel, stainless steel cable
Location: Concourse D, between Gate 7 and Gate 8
Installed: 2025
Arcing across Concourse D, this installation shimmers above the flow of travelers, capturing fleeting images, faces, light and movement across its surface. The work calls attention to subtle patterns in the public space, often overlooked in our daily rush.
Woven in both form and concept, the piece gathers separate paths into a shared, momentary experience. “A Thread Without End” offers the viewer a moment to step outside of ourselves, look up and glimpse the threads that hold us, however briefly.
Benjamin Ball creates large-scale installations for public spaces that invite reflection and heightened presence. Working with industrial materials like mirror-polished steel and cable, he designs luminous structures that shift with light and perspective. His work has been exhibited at The Museum of Modern Art, Guggenheim Museum, Los Angeles County Museum of Art and Venice Biennale.
Across Country
Artist: Matt Goad
Medium: Terrazzo
Location: C/D Concourse Node
Installed: 2023
“Across Country” intertwines airplanes and musical instruments through a red, white and blue color scheme. The title references both travel across the U.S. and Nashville’s famous music genre. The three stars and color palette represent Tennessee’s flag, while the column symbolizes Nashville’s nickname, “The Athens of the South.” Swirl motifs pay homage to the popular carpet design that the terrazzo floor replaced. The overall design conveys travel to and from Music City through the motion and movement of a two-step dance.
American artist Matt Goad launched his artistic career while working as a graphic designer and illustrator in the mid-1990s. With a passion for color, composition and storytelling, his geometric approach guides viewers through a compositional narrative. His work remains accessible to the public and is widely appreciated. “Across Country” was fabricated and installed by David Allen Company.
Air/Traffic/Control
Artist: Ivan Toth Depeña
Media: Art glass, LED lights and sound compositions
Location: BNA Terminal Garage
Dedicated: December 2018
“Air/Traffic/Control,” created by Ivan Toth Depeña, transforms the six elevator lobbies in the Ground Transportation Center and Terminal Parking Garage at Nashville International Airport® into interactive art experiences.
Inspired by travelers’ journeys, the installation reimagines standard columns using light and glass. Each level features vibrant colored glass with intricate designs derived from flight paths and sound wave translations, visually connecting the different floors.
The artwork responds to movement within the elevator lobbies, with LED components creating visual reactions that mirror human circulation patterns. As viewers walk around and interact with the columns, colors and energy shift, creating an ever-changing display. An additional sensory dimension comes through sound installations triggered by motion sensors. Local musicians Tape Deck Mountain collaborated with Depeña to create randomized audio compositions that differ across floors, making each encounter unique.
Depeña, based in Charlotte, N.C., brings his interdisciplinary background, including a Master of Architecture from Harvard University, to create work that bridges art, architecture, technology and design.
Better Home Awaiting
Artists: Jairo and Susan Prado (Prado Studio)
Medium: Terrazzo
Location: A/B Concourse Node
Installed: 2023
“Better Home Awaiting” celebrates Nashville’s musical legacy, referencing WSM, the pioneering AM station that launched the WSM Barn Dance in 1925, which later became the Grand Ole Opry. From 1943-1974, the Opry resided in the Ryman Auditorium, a former worship space nicknamed “The Mother Church of Country Music.”
The piece honors the Opry tradition of performing “Will the Circle Be Unbroken,” the gospel hymn made famous by the Carter Family in 1935. Its medallion design features a jet soaring above Nashville, with a sun resembling Tennessee maple wood, symbolizing homecoming and transcendence central to the song. Nashville artists Jairo and Susan Prado, known for architectural mosaics and public installations, created this vibrant tribute to Music City’s creative spirit. “Better Home Awaiting” was fabricated and installed by David Allen Company.
Celebration
Artist: Jorge Yances
Medium: oil on canvas
Location: BNA® Administrative Offices, Level 6
Dedicated: Wednesday, April 18, 2018
Award-winning artist Jorge A. Yances was born in Cartagena de Indias, Colombia, and educated in the United States. He was labeled a creative prodigy by art aficionados at a very early age. During his teenage years, he fine-tuned his creative expression using a variety of techniques and finishes. Yances is a resident of Nashville, Tenn., and has a long, successful career creating and selling his artwork. Yances’ work has been on display and in demand throughout the United States, South America and Asia.
Yances’ unique style gives the viewer the opportunity to sense and feel more than one reality. The power of mind and matter intermingle and come to life on the canvas. This ability has earned Yances a premier position in the Magical Realism Movement.
About Celebration
The city strikes a particular chord in the hearts of those who come to Nashville with visions of a destination, not merely a place to visit. “Celebration” embraces and invites each viewer to awaken to the rhythm of our city; to come closer and see themselves reflected as a part of our story.
Distinctive Nashville imagery that initially draws the audience to the painting for a photo or selfie becomes, in close proximity and upon examination, a discovery of phantom spirits tucked away and peering out, beckoning – a powerful signature element of the Realismo Mágico style.
The magic of Nashville welcomes and unites many voices, songs, stories, cultures and perspectives. Welcome to Nashville!
Flights of Fantasy
Artist: Sherri Warner Hunter
Media: Concrete, mosaic tiles
Location: BNA® Pedestrian Plaza atop Terminal Garage 1, Level 5
Dedicated: 1996
“Flights of Fantasy” is a whimsical, interactive play and rest area featuring mosaic sculptures depicting a magic carpet, a large seating area and two smiling airplanes. The seating area showcases larger-than-life flying creatures such as a luna moth, a monarch butterfly and a dragonfly set against a backdrop of blue sky and clouds.
Sherri Warner Hunter’s portfolio includes large-scale public commissions, personal exhibition pieces and community-based projects. Her work appears in numerous private collections and can be viewed publicly at locations including Lucile Packard Children’s Hospital at Stanford University in Palo Alto, Calif.; the Tennessee State Governor’s Executive Residence in Nashville; and as part of the 1st International Urban MosaicIntervention project in Puente Alto, Chile.

Flying Solo is a quarterly exhibition series featuring art in the airport terminal. This program was initiated in 1996 in order to provide a highly visible venue for contemporary artists with a connection to Tennessee. The Flying Solo Exhibition Series is funded by the Metropolitan Nashville Airport Authority.
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Lyrical Journeys
Artists: RE:site Studio, Shane Allbritton and Norman Lee
Media: Steel, walnut wood and LED lighting
Location: Concourse D, Gate 2
Installed: 2020
RE:site Studio’s 90-foot installation “Lyrical Journeys” celebrates Nashville’s musical heritage through 14 pairs of steel bridge plates and 20 LED light strings. Designers Shane Allbritton and Norman Lee created this interactive tribute to symbolize multiple connections: the Cumberland River’s bridges, musical composition elements, stringed instruments, and Nashville’s role as a gathering place.
The installation cleverly represents how bridges support both physical infrastructure and artistic expression, mirroring the airport’s function as a transportation hub that welcomes visitors from around the world. Allbritton and Lee, known for exploring community and identity in public spaces, have crafted an experience that blends aesthetics with interpretive design, connecting past and present while encouraging discovery and dialogue.
Nashville in a Day
Artist: Tony Sobota
Medium: Acrylic paint
Location: Concourse D, near Gate 5
Dedicated: March 6, 2026
The mural “Nashville in a Day” depicts one day in Nashville from the point of view of a traveler, moving from the airport canopy on the left, past the Parthenon (a symbol of “The Athens of the South”), directly across the John Seigenthaler Pedestrian Bridge and into the heart of downtown at dusk. Arranged in a musical progression, the colors are the focus: Batman Building blue, Ryman coral, Parthenon ochre, Tootsie’s Orchid Lounge pink, and of course, plenty of Broadway neon. Here the traveler could take a breath (or a selfie) and reflect on their own high notes during their visit to Music City, possibly imagining a return trip.
Tony Sobota is a Nashville-based painter primarily interested in discovering vibrant color relationships through abstraction. Since 2015, he has closely followed Nashville’s dynamic urban landscape, providing an architectural framework for his compositions. He has exhibited locally and regionally in addition to being a longtime member of the Nashville Artist Collective.
Instagram: @tonysobota
Nashville's Rhythmic Skies
Artist: Eric "Mobe" Bass
Medium: Artist-grade spray paint
Location: BNA International Arrivals Facility
Installed: September 27, 2023
Crafted and painted by Nashville’s own Eric “Mobe” Bass, “Nashville’s Rhythmic Skies” is a sprawling 1,000-square-foot mural celebrating Nashville’s vibrant culture and the wonder of air travel. This installation honors the history of Nashville International Airport® while reflecting Music City’s rich cultural heritage and iconic imagery. Created with artist-grade spray paint, the mural achieves a distinctive texture and appearance unique to this medium.
Born and based in Nashville, Bass’ artistic style blends realistic and surrealistic elements with playful, lighthearted themes. His work features distinctive light play and graphic techniques influenced by his early passion for graffiti and street art. His creations adorn private collections worldwide and public spaces throughout the United States.
On Air
Artists: Jake Elliot and Eric Mobe Bass
Medium: Artist-grade spray paint
Location: BNA® Terminal Garage 2, Ground Level
Dedicated: Wednesday, April 18, 2018
The mural “On Air” is a play on words, paying homage to the rich musical history of our city and to the role aviation plays in building our strong culture. “On Air” acts as a window from the airport into the city. It pulls viewers into a depiction of a recording studio, overlooking the state-ofthe-art airport and iconic Nashville skyline.
“On Air” is a collaboration by two accomplished Nashville-based artists, Jake Elliott and Eric “Mobe” Bass. Their public art pieces can be found throughout Nashville from Charlotte Avenue to East Nashville.
Our Radiant City
Artist: Brenda Stein
Medium: Terrazzo
Location: Concourse D "Record Node" near Gate
Installed: 2025
Take a moment to look down at the beautiful terrazzo floor medallion surrounding the concessions space in the middle of the circular node. “Our Radiant City” introduces new travelers to Nashville and welcomes residents home amidst the icons and activities that enliven our culture. Anchored by Nashville’s Parthenon and populated with citizens enjoying the arts, sports and outdoors, the artwork connects travelers to the city. “Our Radiant City” was fabricated and installed by David Allen Company.
Brenda Stein specializes in pre-construction public and private installations and studio art. Regionally recognized, she has been commissioned by the city of Nashville, Vanderbilt University, Tennessee State Museum and by clients internationally. She weaves local connection into global perspective-taking, advancing collaborative engagement. Certified as a Tennessee Naturalist Volunteer, Stein harnesses the anima of life into each finished structure. Her ever-expanding scope of material includes wood, terrazzo, ceramics and mixed media.
The Stars Come Out at Night
Artist: Guy Kemper
Fabricator: Mayer of Munich
Project description: This sculpture is composed of 12 four ft. x eight ft. Italian glass smalti mosaics with gold accents.
Dimensions: Mosaics measure 384 square feet total and are mounted on columns 30 inches in diameter.
Medium: Glass mosaic tiles
Location: Entrance, Consolidated Rental Car Center (CONRAC)
Installed: 2021
For nearly a century, Nashville has been a destination for those seeking stardom or wanting to witness greatness. The legacy of the city’s performers stands tall in the skyline, with each night bringing new stories to life. Some join the pantheon of legends; others appear briefly, shooting stars and one-hit wonders. Beyond music, Nashville thrives as a vibrant hub of diverse industries. “The Stars Come Out at Night,” is an elegant, understated artwork that captures the city’s evolving cosmopolitan character, evoking the night sky as seen from both above and below.
Guy Kemper translated these emotions into abstract paintings, which were meticulously recreated in glass mosaic tiles by Mayer of Munich. Artisans from Mayer of Munich worked alongside Kemper to adorn the twelve columns with these stunning mosaic glass tiles. Kemper lives and works on his farm in Kentucky. His work has been exhibited and commissioned in Asia, Europe, North America and the Middle East.
Due to construction on the Terminal Lobby's Central Core, this artwork will go into storage. "The Unscalable Rampart of Time" will be reconfigured with the artist and reinstalled at the completion of the Central Core project.
The Unscalable Rampart of Time
Artist: Jacob Hashimoto
Installation and site-specific development: Superabundant Atmospheres
Location: Grand Lobby Entrance, Nashville International Airport®
Installed: January 2023
Materials
9,000 kites – handmade washi paper (mulberry paper) and bamboo kites
4,800 fiberglass rods
More about the kites:
- Each kite circle measures 9-inches in diameter
- Some of the kites are printed with colorful images, including 650 unique graphics representing Nashville and Middle Tennessee
- Rivers, grasses, plants, trees and flowers are represented at the bottom of the sculpture
- Architecture, music, business, education and cultural symbols are positioned above the water, grasses, etc.
- The white kites represent the sky, clouds, aviation, planes, airports and travel
“The Unscalable Rampart of Time,” Jacob Hashimoto’s largest permanent sculpture, comprises 9,000 washi paper and bamboo kites. The form flows around the oculus and cascades into the atrium, past the escalators and the mezzanine. It reflects Nashville’s landscape, hills, waterways, native plants and open skies, featuring local references including Ryman Auditorium, Korean War Veterans Memorial Bridge and Cumberland Park. Prominently displayed in the terminal, passengers experience the artwork at various speeds, whether dropping someone off or waiting beneath the swaying kites. The site-specific development and installation of the sculpture was managed by Superabundant Atmospheres.
Hashimoto is an American artist living in Ossining, N.Y. He creates complex worlds from a range of modular components such as bamboo and paper kites. His work can be found in both public and private collections nationally and internationally.
Twine with my Mingles
Artist: New Hat Projects
Media: Tyvek® wristbands, medium-density fiberboard, plywood, aluminum
Location: Concourse D, between Gates 5 and Gate 6
Installed: 2025
This 8-foot-high, 177-foot-long handwoven tapestry celebrates Tennessee’s craft legacy and Nashville’s vibrant present. Inspired by 18th and 19th century coverlet patterns created by domestic weavers across the state, New Hat Projects reimagined traditional motifs using Tyvek® wristbands – ephemeral tokens collected by fans that become lasting symbols of Nashville’s essential value: bringing people together.
The work reflects the timeless spirit of homemaking and hospitality embedded in craft. Like historical weavers who have varied patterns based on their resources and aesthetics, New Hat Projects responds with bold color, grand scale and humble modern materials.
The title honors the transformative nature of folk processes, like how the Carter Family unknowingly reshaped songs through memory and improvisation. New Hat Projects takes what’s old, makes it new and keeps it true.
New Hat Projects, located in Nashville, creates site-specific art blending historical reference with contemporary boldness through inventive design solutions.
Wind Reeds
Artist: Ned Kahn
Medium: Aluminum
Location: Consolidated Rental Car Facility (CONRAC) exterior
Dedicated: 2011
The “Wind Reeds” sculpture adorns a section of the rental car facility with over 500 hinged aluminum elements that sway with the breeze like grass. These metal panels capture colors from the sky and the surrounding environment, creating an ever-changing mosaic that reflects sky conditions and wind currents. The artwork maintains a unique connection to Nashville’s atmosphere and climate, drawing its energy and animation directly from the moment-to-moment conditions of the local environment.
Ned Kahn, the creator, is an environmental artist and sculptor renowned for his public art installations and museum exhibitions. Throughout his career, he has been captivated by the intersection of science and art. For two decades, he has developed artwork inspired by atmospheric physics, geology, astronomy and fluid motion. Kahn’s artistic mission is to create pieces that allow viewers to observe and interact with natural processes. Rather than constructing alternative realities, he seeks to capture the inherent mystery of our surrounding world through his art.